Tuesday, July 31, 2012

100 words or less fiction...


Our little local happenings and events paper, The Acorn, is running a writer's contest called In a Nutshell, for fiction 100 words or less.

For someone as wordy as me, 100 is really hard.  Here is what I came up with as an entry:



Abby awakens to darkness, a deafening roar and a jolt that throws her from the bed to the floor which rises, falls and shimmies beneath her.  As dry wall crumbles, girders groan and glass explodes, she thinks:  Shit, this is it, California tumbles into the sea.   Crawling blindly, she finds a pillow, pulls it over her neck and head, curls tight, and rolls with the seismic waves while the crunch of collapse thunders in her ears. 

Then, all is quiet.  Abby opens her eyes.  In her bed, Chris beside her, the apneic silence is punctuated by his monstrous snore.   

Monday, July 23, 2012

Sonnet

I share this for those of you who appreciate the form.  You may vaguely remember the defining features of three quatrains and one couplet of iambic pentameter, the ababcdcdefefgg rhyme scheme,  and the content.   I had to go to Sonnets for Dummies to remind me of what I learned in high school English many moons ago.  In any event, I did this as a writing exercise, and it is clearly tongue in cheek.

The name of the sonnet is, well, 'Sonnet' because it is about the experience of writing a sonnet.  But that is like naming your dog "Dog."

How about 'Meta Sonnet'?  'Sonnet to the Second Power'?   'Shall I Compare Thee to The Words of the Bard'?   I will consider any and all suggestions.


Sonnet





For practice, in iambic I will write;

although ‘tis foreign writing lines this long.

I do this, for I cannot sleep tonight.

These words perchance can soothe me, as a song.


Ah yes, the rhythm is a melody,

a cadence that caresses as it flows.

For in these lines there can be no spondee,

and my beloved trochees dare not show.


But music of the muse is often wild,

intense, unmetered; minor chords abound.

Then how to find true voice in form so mild,

and honor craft and meaning in the sound?


But hark!  The tune emerged here from my head,

so off I go to pentametric bed.

Monday, July 16, 2012

Good morning!

Nothing new, just an invitation to peruse these posts if you haven't done so, and I welcome any and all feedback.  

 I have not written anything new prose or poetry-wise, in about a month, although I am beginning to work on a sonnet as a writing exercise.  Mostly I have been working, and enjoying the summer when not working.

Warm wishes for a wonderful week!  (Alliteration nightmare...)

Tuesday, July 10, 2012

Knowing That All Things Must End


A poem written last year...



Knowing That All Things Must End      



Throat laid bare with upturned chin,

vulnerable, exposed, breath in--

Dare to open once again.




Every joining, holding fast,

this present joy, too soon the past--

Cleaving to what cannot last.




Linger, savor, tarry, stay?

inexorable, the end of day--

Solstice moment, parting way.




Return to one must come in time;

unclasped, glance back, let loose of  “mine” --

Silence, and the taste of brine.

Monday, July 2, 2012

For Sophie...


It has been a little over a year since we had to put my Sophie down; she has been on my mind a bit lately.  And since I have no new inspiration at the moment, I am sharing something I wrote after she died.  

She was a German Shepherd, mixed with not-sure-what, maybe collie or Australian cattle dog, with a shepherd head and a mottled coat of many colors.  She was a bit of a doof, sweet as can be, but didn't much like other dogs except Freckles, maybe due to her days of being a stray.  But she was all love to me, Curtis and Chris.

I had never had to put a dog down before, and although there was nothing more we could do and she was non-responsive by the time we got her to the vet, it was still gut-wrenchingly painful.  But I was glad to be with her at the end, and writing this helped.


For Sophie

Just a note to say farewell my furry friend, and thank you for appearing in my life, loving me, and teaching me.

You taught me that worthwhile things are often inconvenient.  You taught me to give you frequent treats.  You taught me the value of staying close to those you love.   You taught me that big dogs are love bugs. You tried to teach me to stop leaving my gym bag around where you could get into it.  Finally, you are helping me learn, yet again in my life, how to let go.

Moments to remember:  You, roaming around behind the Edwards Theater, skinny and alone.  You, at the pound, days away from being put down, looking at me with those big brown eyes.   You, scaring the crap out of Freckles when we first brought you home.  You, the moment I knew we would keep you and love you, silently coming up to me when I was sitting at the computer, and laying your head on my knee.

You, with a huge tri-tip in your mouth that you stole off the kitchen counter.  You, chewing up yet another toilet paper roll or Kleenex or paper towel.  You, chasing Haley with her pony tail and thinking it was a rope bone.    You, accidently getting locked outside and waiting quietly by the front door.  You,  squeezing out from under the garage door the moment it was 10 inches off the ground.  You, lunging at that little dog in the truck that belonged to that very strange man.   You, using me as your personal scratching post.    

You, getting skinny from diabetes.  You, patiently enduring the twice daily insulin shots.  You, eyesight mostly gone, making the best of it.

You, your body pressed against mine, giving and receiving love.

Farewell my dear.

Thursday, June 28, 2012

On Being a Psychotherapist

Clients, as well as friends, often say to me, "I don't know how you do your job," and then follow it up with one of the following questions or comments.

"Don't you get tired of hearing people whining?"

The answer:  Occasionally, but not as often as you might imagine.  For the most part, at the point someone picks up the phone to engage my services, they are ready to do something different.  They are suffering, or struggling, or overwhelmed at the moment,  and their usual ways of coping are not enough, or may even be making things worse.  And while they may be temporarily stuck in a state of victimhood, or self-absorption, or worst of all, hopelessness, the pain is real, and the courage and trust it takes to enlist the help of a stranger to find a way out of the suffering is a very good sign.  No one truly wants to be miserable; it may simply have become a habit, a default mode of existence.

That being said, I too am human, and occasionally when a client is going down that road AGAIN, I think of Billy Crystal (Dr. Ben Sobel) in Analyze This:  He is listening to a client, complaining about her boyfriend Steve for the umpteenth time, and he begins to fantasize a response:

Dr. Sobel: Well, what I think you should do... is stop whining about this pathetic loser. 
[Sobel stands up] 
Dr. Sobel: You are a tragedy queen! "Oh, Steve doesn't like me!" "Steve doesn't respect me!" Oh, who gives a shit? GET A FUCKIN' LIFE! 


"Isn't it hard to just listen all day long?"

The answer:  Listening is important, and something that comes easily to me in this setting, but I damn well better be doing more that just listening.  It is a very active listening, one in which I am both emotionally engaged with my client and reflecting that engagement, while also a part of me is stepped back and observing, contemplating the meanings, implications and nuances, making connections with what else I know about my client.  Then, there is a response of some kind required, allowing the right words to come forth which might help them toward greater self-awareness, self-acceptance, insight and motivation to move beyond their current situation and habitual modes of responding.    Sometimes, just bearing witness in a compassionate and non-judgmental way to someone's experience is all that is necessary, at least until I feel more sure about what the helpful thing to do or say actually is.  But my style is fairly interactive and pro-active, not just reflective.

Best advice I ever got from a supervisor:  When you are not sure what to say, don't say anything.


"It must be draining/stressful/difficult to hear so much pain."

The answer:  Yes, sometimes it really is.  Rape, assault, emotional abuse, sexual abuse during childhood, addiction, death, grief, loneliness, self-loathing, betrayal, dreams deferred, utter and abject hopelessness, intense suicidal thoughts and feelings...yes, some days are harder that others.  I try to make sure that I meet my needs for socializing, exercising, rest, fun, meditation etc. so that I have energy reserves and balance.  The more experienced I have become, the easier it has gotten (usually) to keep boundaries in place and to know my job is not to be the savior.  And embracing the idea that pain is a part of life, but suffering need not be so, helps too.  Pain is not mine to take away, and it is in the suffering I can be helpful, but ultimately the degree to which someone profits from what I am able to do is not in my power either.

But I know I carry it sometimes.  When I get a deep tissue massage, I can tell that my back and shoulders are the physical repository for whatever I haven't let flow through me, professionally and personally.  I was surprised the first time I cried on the massage table; now when it happens, I understand why.


"How do you know what to do?"

The answer: Like all professions, mine has its techniques and its knowledge base to apply. God knows all that time spent in school and on practicum and internship better have taught me something.  And like all other sciences, it has empirical validation.  Like all healing practices, it has various interventions.  Like all relationships, it is based on shared humanity. And like all creative arts, the psychotherapeutic interaction is something alive and emerging in the present moment.  Each moment is unique, and when I am most genuine, responsive and attuned, experience and intuition guide me as to how to best respond.

However, it should go without saying that sometimes I don't know what the hell to do.  Occasionally in a session with someone I am distracted and off-kilter and I feel like I should refund their copayment.    Sometimes I totally put my foot in it and I will say or suggest something that is way off the mark from where my patient actually is.  Luckily, most people are forgiving of this and will simply correct me so that I can get back on track with them.

And sometimes I feel like I am not being helpful at all, because I am not seeing evidence of what I think  should constitute improvement, or change, or diminishing symptoms.  That is when a collegial consultation comes in handy.  Other times, I simply must remind myself that I never see the full picture from an hour in my office, and that some things take a lot of time.  And finally, sometimes things simply not getting worse is actual improvement.


The bottom line is, it is often hard for anyone to imagine doing someone else's job.  Mine is not especially heroic or unusual.  I can't fathom being an ER surgeon or  a soldier, but neither can I really imagine being an accountant or an architect.  If we are lucky, that is because we are doing exactly what we feel we are meant to be doing, and simply can't imagine it any other way.   So what seems impossible or boring or frightening to the outside observer does not feel that way to the person doing it.


I do feel lucky.  I love being a psychotherapist.  I feel honored and humbled to be trusted to walk with someone for a part of their path; at best, this allows me to be an agent of healing.   At worst,  I am simply present with someone, perhaps planting a seed that will blossom later.  


What is not to love?














Monday, June 25, 2012

Summer School (Fireflies) next version...

Here is the same poem from my previous post,  me tightening up the meter/syllable counts per line.   Sometimes I think it is structurally better to have everything evened out, other times I like the ragged edges for the flow of the meaning.

If anyone has an opinion regarding the two versions, would love to hear it!


Summer School

I remember lightning bugs:
first time I saw them,
a golden buzz blinking
in black of the night.

My cousins with a Bell jar,
holes punched in metal
for catching the laggards
and twisting lid tight.

I felt myself mesmerized;
that belly on fire
twinkling, one moment here
then one moment done

Ah, the thrill of the capture!
Delicate creature!
But once I encased it,
I wanted it gone

released to the nighttime sky,
back to the starshine;
because in the glass was
a prison and death.

I ached when I saw her there,
glow slowly fading,
wings searching for freedom,
she struggled for breath.

For here was a lesson learned
early in childhood,
though I had not words for
this wisdom I'd learned:

In the act of possessing
you kill what you love.
In taking the fire of
another, you burn.